Jack Cole, born John Ewing Richter, in New Brunswick, New Jersey.Early on he decided to pursue dance with the Denishawn Dance Company led by Ruth St. Denis and Ted Shawn. I have choreographed for Rick Evans Band, and had roles on the TV series Neighbours, The Flying Doctors and various TV commercials. Jack Cole introduced what today you would call jazz. According to Martin Gottfried, Cole "won a place in choreographic history for developing the basic vocabulary of jazz dancing—the kind of dancing done in nightclubs and Broadway musicals." I am contactable on Twitter, Instagram, Facebook and YouTube. – “I want you boys to dance like girls and I want you girls to dance like men.”. In the 1940’s there was a serious demand for groups of trained dancers for film work and Jack Cole was the one who started In the 1940’s there was a serious demand for … Beginning as a featured dancer in movie musicals of the 1940s and 1950s and progressing to international status as a dance teacher and choreographer, Mattox has had a significant, worldwide impact on theatrical jazz dance through a career that has spanned 60 years. Just take a look at this video from a 1951 TV program of a Bob Fosse choreographed jazz dance. Cole attended the Columbia University in New York, but after seeing a great performance by the Denishawn dance company soon left school to seek a dance career. Jack Cole. Jack Cole – Photo from the web. He was known for fancying the choreography of the likes of Jack Cole, the man commonly known as the father of theatrical jazz dance. Jack Cole. Her father was a dance teacher, as was her sister. https://twitter.com/MTVDancer He evolved jazz “theatre dance” with choreography and director credits in productions or movies such as Some Like it Hot, Man of La Mancha, There’s No Business Like Show Business, Gilda, Kismet and The … As Matt Mattox claims, "I learned his style of dance, which leaned toward modern as well as going in his own direction, and which I refer to as jazz dance—real jazz dance" (Mattox 1980). contact us A form of theatre jazz dance evolved from Cole’s work which was codified by Mattox, and this discipline is taught at the case study school and at several performing arts colleges in London. To troubleshoot, please check our While the style is distinctly East Asian, Cole’s jazzier twists and the jazz scores for his Indian dance numbers in Kismet and On the Riviera perfectly blend with the classical steps, as jazz borrows Indian dance’s emphasis on deep pliés and isolating movement in one part of the body. “Just about everything you see on Broadway today is there because of Jack Cole and Agnes de Mille. Published to University Press Scholarship Online: May 2014, DOI: 10.5744/florida/9780813049298.001.0001, Jack Cole is credited as the father of theatrical jazz dance. Your current browser may not support copying via this button. Mattox’s technique was inspired by the work of Jack Cole, who is considered to be the ‘father of American jazz dance’ (Loney, 1984, p. 12). His assistant choreographer was Jeanette Bates. Jack Cole's style was primarily influenced by what country's dancing? Jack Cole was known as a "dancer's choreographer" because he paid very little attention to the things going on in a production besides the choreography and specifically the dancers (Gottfried 72). During the time when jazz dances were performed by untrained dancers, Cole created his own unique dancing style. Jazz Dance”, Jack Cole, was busy developing his technique. . Revelations about the pioneering jazz-dance choreographer’s influence on his talented pupil continue to surface in interviews, biographies, archival material and an upcoming Cole documentary. Cole directly influenced many dance artists including his muse Gwen Verdon and jazz legends such as Bob Fosse and Matt Mattox. Cole, furthermore, has been heralded as the "Father of Modern Jazz Dance." Mr. Cole was handed the task for choreographing Kismet, based on his works from the Broadway and London productions. Copy this link, or click below to email it to a friend. This biography details the career contributions of film and Broadway jazz dance choreographer Jack Cole. Mr. Cole set the bar high with his understanding of dance and its origin/history, he learnt and understood other styles/techniques, from Modern, Caribbean, to Oriental. If you think you should have access to this title, please contact your librarian. Why is Jack Cole considered the father of jazz dance a He is remembered for his from DANC 2010 at University Of Georgia Mr. Cole describes his passion for dance by drawing from other cultures. India Ragtime music, the precursor to jazz music, uses African aesthetic principles such as: Reiko Sato, Patricia Dunn, Jack Dodds and Marc Wilder reprised their roles in the 1955 film. Cole pioneered what would become known as “theatrical jazz dance,” sleek, agile, explosive movement that often incorporates body isolations, like upward-reaching arms or pointing fingers. https://www.facebook.com/AndrewChoreographer/posts/2556421264374297. DOI:10.5744/florida/9780813049298.003.0011, Part III Master Teachers and Choreographers, 1930–1990, 10 The Authentic Jazz Dance Legacy of Pepsi Bethel, 17 The “Free Style” Jazz Dance of Matt Mattox, 18 Donald McKayle, Jazz Dance Then and Now, Part V Perspectives on Teaching and Training, Part VI Contemporary Topics in Jazz Dance, Appendix A Sampling of Twenty-First-Century Jazz Dance Companies, Jazz Dance: A History of the Roots and Branches, 3 A Twenty-First-Century Jazz Dance Manifesto, 6 The African Origins of an American Art Form, 8 Jazz Dance from 1970 into the Twenty-First Century, Part III Master Teachers and Choreographers, 1930–1990, 10 The Authentic Jazz Dance Legacy of Pepsi Bethel, 12 Katherine Dunham’s Mark on Jazz Dance, 17 The “Free Style” Jazz Dance of Matt Mattox, 18 Donald McKayle, Jazz Dance Then and Now, 22 The Transmission of AfricanAmerican Concert Dance and American Jazz Dance, 23 Jazz Dance, Pop Culture, and the Music Video Era, 24 Hip-Hop Dance as Community Expression and Global Phenomenon, Part V Perspectives on Teaching and Training, 25 Jazz Dance Training via Private Studios, Competitions, and Conventions, 27 Jazz Dance as a Gateway to Community Engagement, Part VI Contemporary Topics in Jazz Dance, 29 Vernacular Jazz Dance and Race in Hollywood Cinema, 30 Jazz Dance as American Export in France and the United Kingdom, 31 A Study of the Power of Club Jazz in 1980s London, 33 A Journey into the Heart of Jazz Dance, Appendix A Sampling of Twenty-First-Century Jazz Dance Companies. Please, subscribe or login to access full text content. He studied ballet, modern and ethnic dance forms, and was highly influenced by East Indian dance forms. Jack Cole, considered one of ... One of his most highly publicized successes was the fusion of Indian dance and American jazz that he developed on … How did Jack Cole influence the development of modern jazz? This film had four nominations at the 1945 Academy Awards. 112 So. Jack Cole had studied modern, ballet, and ethnic dance, had been a student at Denishawn and had done choreographic work in the nightclub scene. Dr. He developed a mode of jazz-ethnic-ballet that prevails as the dominant dancing style in today's musicals, films, nightclub revues, television commercials and music videos. I was interested in the Oriental theatre; Japanese and Indian particularly. Mastery of India's bharata natyam influences his jazz style. But that, too, was a title Cole would have abhorred and blatantly rejected. University Press Scholarship Online requires a subscription or purchase to access the full text of books within the service. He continued to further his training/studies of Bharatanatyam under Uday Shankar, a master in his field. Although she was not considered a jazz dancer, her fieldwork, choreography and the Dunham technique have greatly influenced jazz dance. Cole choreographed some of the most memorable scenes of 20th century cinema, including the infamous scene in Gentlemen Prefer Blondes with Marilyn Monroe singing “Diamonds are a Girl’s Best Friend.”, Keywords: Jack Cole, commonly referred to as “The Father of Theatrical Jazz Dance” was known for making waves in the modern dance community. “I was interested in many things. Beth2708 Beth2708 05/21/2017 Arts High School How did Jack Cole influence the development of modern jazz? 1947 was the year Jack Cole created Sing, Sing, Sing to the recording made famous by “King of Swing” Benny Goodman and his Big Band. He's been called the father of American jazz dancing. Credited as one of the primary influences in show business choreography, Jack Cole combined modern dance, jazz, and ethnic—particularly oriental—movement into a unique style that he exploited in a variety of commercial settings. You can contact Andrew Choreographer on Twitter, Instagram, Facebook and YouTube. https://www.instagram.com/mtvdancer/, Your email address will not be published. I place a strong emphasis on technical dance training, including dance education of past and present dancers/choreographers who have contributed to the arts. I have choreographed for Rick Evans Band, and had roles on the TV series Neighbours, The Flying Doctors and various TV commercials. Additional well-known contributions include choreography for nightclubs, Broadway musicals, and film and television. Assistant Choreographer: Patricia Denise. Best known for: Being the father of theatrical jazz dance. Dance Festival, Update: Dance Camera West Film Festival Adds 4th Day – January 9 – 12, A Conversation with Dance Writer, Educator, and Curator Eva Yaa Asantewaa. “Father of Theatrical Jazz Dance”, Jack Cole, was busy developing his technique. Using Dance As A Release Mr. Cole was a great influence on other great dancers we know, such as, Bob Fosse, Jerome Robbins, and Peter Gennaro. But Jack Cole was also the man who gave Marilyn Monroe her dance moves. Both taught her to dance, and she also spent many summers dancing at the Interlochen Center for the Arts and Jacob's Pillow, which hosts the United States' longest running dance festival each year. Another Cole pupil, Chita Rivera - star of … Emphasized isolations, placements, quick directional changes, and long knee slides. Cole directly influenced many dance artists including his muse Gwen Verdon and jazz legends such as Bob Fosse and Matt Mattox. Jack Cole had studied modern, ballet, and ethnic dance, had been a student at Denishawn and had done choreographic work in the nightclub scene. His speciality was in creating exotic and often erotic dance routines. Jack Cole |Father of Theatrical Jazz American Dancer and Choreographer, today is known as the "Father of Theatrical Jazz Dance" by giving it a syncopated, cool sense of power and gravity. Cole choreographed some of the most memorable scenes of 20th century cinema, including the infamous scene in Gentlemen Prefer Blondes with Marilyn Monroe singing “Diamonds are a Girl’s Best Friend.” Featured image: Jack Cole – Photo from the web. You may not know any of Jack … His ability to choreograph for both male and female dancers was amazing too. My passion is teaching classes for various ages, levels and abilities through jazz dance, exercising and/or warm up classes as well as writing about my chosen craft. His choreography for the New York production of Something For The Boys (1943), with its often blatant sexuality, led to other engagements exploiting his penchant for working to quasi-eastern music and the use of scantily-clad … (Musical numbers and dances staged by). Public users can however freely search the site and view the abstracts and keywords for each book and chapter. Mia Michaels was born in Florida in 1965, and had dancing in her blood from the start. I never wanted to be—people are always confusing why you are teaching them; they think you want to teach them to be an Indian dancer—but I was trying to expose them to a different attitude, to give them the excitement and discovery of the thousand ways there are to move that are peculiar and different, totally different, that would never enter your head here. He performed authentic Indian dance technique to swing tempos, which he referred to as “Hindu Swing,” such as the “Not Since Nineveh” dance number. 1 See answer Beth2708 is waiting for your help. Theatrical jazz dance innovator Jack Cole (1911­–1974) forever changed the face of theater dance by mixing ethnic movement with jazz—what he dubbed “urban folk dance.” Culling movement from the dance forms of East India, Africa, the Caribbean, Cecchetti ballet technique and the Lindy hop, Cole transformed theatrical dance into what we now recognize as American jazz. Technique is linked to the work of Jack Cole… Jazz dancing developed alongside jazz music in New Orleans. Jack Cole, one of the greatest yet least known jazz choreographers is thought of by some as the father of theatrical jazz dance, responsible for the jazz we know today. On the Christmas Eve in 1937, at a New York nightclub, for the first ti… Users without a subscription are not able to see the full content. While some of them apparently deny any Cole influence, Agnes de Mille said in All His Jazz that many choreographers, including herself, Fosse, and Robbins, "all stole from Jack Cole." Posted by Andrew Choreographer | Dec 12, 2018, “The following article was written by myself and appears on my Facebook page, acknowledging the contribution of Choreographer Jack Cole and his contribution to the world of dance.” – Andrew Choreographer. The influence of the Dunham technique can be found in many genres of dance, but her contribution to jazz should not be minimized. Her style of dance is described as, "a style of dance that involved a loose torso and spine, articulated pelvis and isolation of the limbs." CA. He made is first professional appearance in August 1930, and although he had previously studied ballet, Cole was entranced by the Asian influences Denishawn utilized in its choreography and costuming. I place a strong emphasis on technical dance training, including dance education of past and present dancers/choreographers who have contributed to the arts. Cole choreographed some of the most memorable scenes of 20th century cinema, including the infamous scene in Gentlemen Prefer Blondes with Marilyn Monroe singing “Diamonds are a Girl’s Best Friend.” Cole virtually invented the idiom of American show dancing known as "theatrical jazz dance." ... Father of Jazz Dance. Cole provided daily “urban folk dance” classes at Columbia Pictures for a four year period, which prepared his dancers for his rigorous choreography and allowed Cole to develop his distinct teaching style. It opens up a new vocabulary of movement.”. Jack Cole, “Cole technique” is the basis of what is American/Theatrical Jazz Dance today. Get the answers you need, now! Reiko Sato, Patricia Dunn, Wonci Lui, Jack Dodds and Marc Wilder, in Kismet, 1955, performing in “Not Since Nineveh.”. Mr. Cole was the choreographer for the 1944 film Kismet. It was actually African dance, but we did it in high heels. Before forming his own dance company, Cole worked with various dance troupes displaying an original talent. Bennett. The link was not copied. Your email address will not be published. Jack Cole, popularly known as the ‘Father of Modern Jazz’, played the savior to the dying jazz dance. As you watch the number, you should notice the precision of the (Indian dance technique) Bharatanatyam movements, from swift change of direction, combination of fingers, hands, head, placement of the feet/flexed foot, to the isolating body movements; this dance number demonstrates Jack Cole’s training and attention to details as a choreographer. Cole directly influenced many dance artists including his muse Gwen Verdon and jazz legends such as Bob Fosse and Matt Mattox. Katherine Dunham's technique includes both ballet and modern dance. The Jack Cole influence is immediately and unmistakably obvious. Jack Cole, “Cole technique” is the basis of what is American/Theatrical Jazz Dance today. High School Student Semifinalists Selected in The Music Center’s 33rd Annual Spotlight Program, Announcing the 15th La MaMa Moves! [2] Jack Cole started evolving jazz dance in his musicals. You could not be signed in, please check and try again. “[We] kicked, spun, slammed and slid on our knees for seven minutes in true Jack Cole style,” said Rod Alexander about the dance performed by the Jack Cole Dancers when it premiered in New York at the Latin Quarter (Loney 1984, 85). Mr. Cole was a great influence on other great dancers we know, such as, Bob Fosse, Jerome Robbins, and Peter Gennaro. Cole’s ‘Hindu jazz’ style also betrays Indian dance’s influence on jazz. (Barton Mumaw). Influence of Jazz on ballet. He started his career as a choreographer in nightclubs, and then went to become the biggest name in the world of jazz. My passion is teaching classes for various ages, levels and abilities through jazz dance, exercising and/or warm up classes as well as writing about my chosen craft. When it comes to passing on that knowledge and preparing his dancers for work as a choreographer, he would often mention to his company dancers.   the 1920s to the 1940’s, along with jazz dancers such as Jack Cole. https://www.facebook.com/AndrewChoreographer/ Choreographer: Jack Cole. Jack Cole. On COLE: article— Kisselgoff, Anna, "Recalling an Innovator of Film Choreography," in the New York Times , section C, 7 February 1994. Glory Van Scott, who was a Principal Dancer with the Dunham company, echoes the vast influences that the Dunham technique has in contemporary jazz. FAQs, and if you can't find the answer there, please Jack Cole (1911-1974) was one of the most important and influential choreographers in the world for his work on Broadway, in Hollywood films and in nightclubs. He was the influencer behind huge choreographic names such as Bob Fosse, with his work reaching the likes of modern dance greats Alvin Ailey and Jerome Robbins. He actually was an inspiration to Robbins, Fosse, Gwen Verdon and many other well known dancers today. He is the father of American jazz dance, and has been recently named as one of “The 100 Most Irreplaceable Treasures in American Dance History” by the Dance Heritage Coalition. For over five years, Gwen Verdon was dance assistant to Jack Cole on several productions from Broadway to Hollywood; she talks about Jack Cole and his dance technique. His career spanned from the 1920s through the 1950s and he developed a specific method of training theatrical jazz dancers in a style which he called “jazz-ethnic-ballet”. Required fields are marked *, Designed by Elegant Themes | Powered by WordPress, Jack Cole with Marilyn Monrow - Photo from the web, Meet The Remarkable Marinda Davis: An Interview, Judson Dance Theater: The Work Is Never Done at MoMA, New York City. Broadway, Bob Fosse, Columbia Pictures, Father of theatrical jazz dance, Jack Cole, Jazz-ethnic-ballet, Marilyn Monroe, Matt Mattox, Urban folk dance. Even when Mr. Cole was choreographing his numbers, he would at times retain artistic control of filming, set designs and wardrobe. Mr. Cole’s Oriental influences started back from his time with Denishawn Dance Company, founded by Ruth St. Denis and Ted Shawn. Beginning in the 1930’s onto the 1960’s jazz dancing transformed from the vernacular form to a theatre based performance form that used trained dancers. I was always interested in the culture of people and how the expressed themselves. 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