The duo might've been expected to lose momentum with the advent of the British Invasion in 1964, but that summer they hit number three with "The Little Old Lady From Pasadena," and "Ride the Wild Surf" got to number 16 that fall. Complete song listing of Jan & Dean on OLDIES.com. “I Found A Girl” . . Childhood. . He lived a dual life, reaching the top of the charts with Jan & Dean while transitioning from college student to medical student, until an automobile accident ended his seemingly charmed existence in 1966. Berry kept getting any of them who were willing to show up together at his parents' home, however, and recording take after take of various songs, as many as 50, according to Torrence. Jan & Dean were ambassadors of the California culture in the mid-60s, scoring 11 Top-40 hits from 1963-1965, mostly dealing with surfing, girls and cars. “Sidewalk Surfin’” . to impress girls, and that was how Berry's recording career began: a member of the fairer sex suggested, almost as a dare, that he and his friends would be really cool if they made records, and Berry took her up on it. Ride the Wild Surf 5. Explore {{searchView.params.phrase}} by color family {{familyColorButtonText(colorFamily.name)}} Photo of Jan & Dean Photo by … They began their climb back to success with Berry's first official production, "Linda," which got to number 28 in early 1963, their best chart placement in two years. The latter even came to rub off on the Beach Boys. As an architect of the West Coast sound, he was one of rock ‘n’ roll’s original rebels–brilliant, charismatic, reckless, and … It's almost too easy to underestimate the importance of Jan & Dean in the history of rock & roll and its evolution into rock. There was a train-wreck on our first day of shooting. Surf City: The Best of Jan & Dean. Jan and Dean. Spend $75 for Free Shipping * Order by Phone 1-800-336-4627 Your Account Order Status Help. At the same time, after several years of declining offers to act in movies, they'd finally agreed in 1966 to do a film and filmed a television pilot that was to have aired that summer. It's pleasant summery filler that's not nearly up to the level of their best stuff. . The four of them ran through several demos before finding "Baby Talk," which Jan & Dean recorded in Berry's home studio, exactly like "Jennie Lee," before adding on the full backing band. REVIEW: Jan & Dean's first album, released on Dore in 1959, shows the sound of the duo firmly rooted in doo-wop and rock, with driving bass lines reminiscent of Mike Love's contributions to the Beach Boys, and tongue planted firmly in cheek for such send-ups as the album's lead-off track, a rock 'n' roll cover of the folk standard "Clementine". FREE Shipping on orders over $25 shipped by Amazon. . As important as their own music was, the influence that the duo had on rock music by way of the Beach Boys and Brian Wilson was equally great, and perhaps greater. “We Go Together” . Produced by Jan Berry. CDs Vinyl. He would experiment with them by splicing parts of each take together, coming up with completed versions that were larger than the sum of the individual parts. Berry was already becoming experienced in the studio -- he'd learned how to create an echo-delay effect between the two machines (this feature would later become standard on Ampex machines, but it was a big deal in 1958) and was learning how to hear all of the subtle details that creep into multiple performances of a piece and perceive how they might fit together to best advantage. It took years for Berry to recover even partially, learning how to walk and talk all over again, and the duo's music, apart from a group of releases on Warner Bros. and Columbia that were scarcely heard, was relegated to the status of oldies. Sites: jananddean.com, Wikipedia. Ba-Ba-B-B-Ba-Ba [ORIGINAL RECORDINGS REMASTERED] by Jan & Dean | 2020. Their time playing music, however, was not over. Jan & Dean covered I Left My Heart in San Francisco, Things Go Better with Coke, Tennessee, Surfin' Safari and other songs. It never got done, but it was along the lines of It’s A Mad Mad Mad Mad World because we were such big fans. Primitive recording sessions followed soon after in a makeshift studio in Jan's garage. Jan & Dean Record, The Wrecking Crew Price Reduced for The Jan & Dean Record. I wouldn’t hazard a guess as to where 60s “surf music” in general, and the rock/pop duo Jan and Dean in particular, fall in today’s ranks of pop culture recognition. Jan and Dean were going to do a movie one time—that’s in the book, too. 2. It was Berry who showed Wilson the other side of the coin, in terms of the relationship of the Beach Boys and Jan & Dean; the Beach Boys were a self-contained group, which made them ideal to back the duo on-stage in those early gigs together, but by the same token, on their records, Jan & Dean used the top studio musicians in Los Angeles, including Hal Blaine, Earl Palmer, and Glen Campbell. Luckily, Torrence's army service ended just then and Berry asked him if he could try singing together again. Their recordings of "Sidewalk Surfin'" and "Ride the Wild Surf" were also exceptionally ambitious, but their complexity in the recording studio was masked by the overt, lighthearted fun of their subject matter as songs. No one knew (though one could have guessed on Pet Sounds) that the group (apart from Carl Wilson's lead guitar) didn't play on those records or most of the singles from this era; rather, what mattered was that the records themselves were some of the best-sounding of the period. . The group competed in a high-school talent contest, which required more rehearsal than usual and resulted in their spending a lot of time in Jan Berry's garage, which had been outfitted as an amateur recording studio, complete with a pair of reel-to-reel tape machines and a piano; when an arrangement got very complex and ambitious, they even pressed into service a couple of friends from the neighborhood, future Beach Boys member and producer Bruce Johnston on the piano and star drummer Sandy Nelson. The mere mention of their name today evokes images of suntanned California teens dancing and surfing on the beaches of Malibu. Astonishingly in retrospect, Liberty balked at releasing "Heart and Soul," a new recording of the duo that they were positive would hit, but which Liberty rejected. Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry Maps The Drag Race in “Dead Man’s Curve” July 22, 2020 admin . Little Deuce Coupe 9. 85. . Jan Berry (born April 3, 1941) and Dean Torrence (born March 10, 1940) met at University High School in West Los Angeles, where they were classmates and members of the football team. For the next few years, the duo's sound was rooted in a surf-guitar sound acquired from guitarist Dick Dale by way of the Beach Boys and increasingly bold use of harmony singing. There were still problems to be overcome, however. Solo albums Jan Berry album. . Dead Man’s Curve Lyrics. The ultimate good-time music act of the early '60s. From the birth of rock to the bitter end, Berry’s life story is thrilling, humorous, unsettling, and disturbing, yet ultimately uplifting. All … Audio CD Amazon's Choice for Jan and Dean. Eventually the two did resume touring, and their shows were well-received for the good-time vibes the duo and their band generated, but their days as a musical influence were over. . 4.6 out of 5 stars 19. The duo's music grew in complexity in 1964, Berry attempting ever more daring productions behind their songs -- it was seldom cited by historians or critics for this virtue, but the single "Dead Man's Curve," recorded after the version that appeared on Drag City, involved 18 separate vocal parts. 20 talking about this. “Ride the Wild Surf” . The duo also decided to get some help from a pair of new producers -- Lubin having run out his string with them at Arwin -- Herb Alpert, a jazz trumpet player with major ambitions, and his songwriting partner, Lou Adler, who got them onto the Dore Records label. Beginning with the Drag City album, in particular -- which was their first LP of all original material -- their albums showed a level of care and sophistication in the production and the selection of tracks that was unusual, if not extraordinary, for most rock & roll LPs in 1963. Menu. . Lubin overdubbed a band led by Don Ralke on top of the basic track of two vocals, a piano, and percussion, and issued the song on Arwin in the late winter of 1958. Among their most successful songs was "Surf Ci 7″ x 10″ paperback; 195 photos, illustrations, and maps; 4 Appendices; Bibliography; Index; $49.95 (print). It was easy to overlook, amid the fun, the craftsmanship of their work. Jan and Dean. -Allmusic.com . . . Audio CD $12.85 $ 12. Meanwhile, Torrence, who was part of the team that Berry intended to debut before the public, was about to go into the army. He wasn't even believed to be alive when the police arrived at the wreck of his Corvette Stingray and there was barely any heart beat when he was cut out of the car. Jan & Dean's success as singles artists during this period tends to obscure the virtues of their LPs.Beginning with the Drag City album, in particular -- which was their first LP of all original material -- their albums showed a level of care and sophistication in the production and the selection of tracks that was unusual, if not extraordinary, for most rock & roll LPs in 1963. Any musical advancement was impossible in the circumstances, and Torrence, who'd always had an interest in art, became a successful graphic designer, as well as continuing to sing on other artists' records. Honolulu Lulu 4. 4.3 out of 5 stars 44. Their version of the Hoagy Carmichael/Frank Loesser standard got to number 25 nationally (in direct competition with a version of the same song by the Cleftones) in the summer of 1961, released on Challenge Records, a company owned by Gene Autry. Jan and Dean. The problem of what to record proved vexing until one of the other former members of the Barons, Arnie Ginsburg, showed up on a day when Berry and Torrence were struggling with the question, proposing a song about a stripper with the stage name Jenny Lee ("the Bazoom Girl"), who was appearing at a strip joint in Los Angeles. By 1965, Jan & Dean's chart successes had slackened somewhat. “Linda” . . Surfin’ Safari 3. “Honolulu Lulu” . Jan & Dean originally did Way Down Yonder in New Orleans, Tennessee, Surfin' Safari, I Left My Heart in San Francisco and other songs. FREE Shipping on orders over $25 shipped by Amazon. Berry was getting the demo of "Jennie Lee," as it was titled, transferred to disc at a studio when producer Joe Lubin, who worked for the Arwin Records label (a small recording enterprise owned by Marty Melcher, the husband of Doris Day and the father of future Byrds and Paul Revere & the Raiders producer Terry Melcher), heard the song and offered to buy it. Audio CD $11.99 $ 11. Table of Contents – The Jan & Dean Record, Reviews & Commentary – The Jan & Dean Record, Homes, Sites & Buildings Associated with Jan Berry – Gallery, Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry, Press Release – Book – Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry, Jan Berry Portrait – Available for Purchase, Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry, Dean Torrence — A Conversation with Mark A. Moore, Pray for Surf — Mark A. Moore Interview with Phil Miglioratti. Get it as soon as Thu, Apr 1. Profil: American duo formed in 1959, disbanded in 1966 following Jan Berry’s injury, reunited in early 1970s. They even ended up in occasional conflict with their record company, as Liberty attempted to release singles that the duo felt were less than first-rate, efforts that were usually blocked. As an architect of the West Coast sound, he was one of rock ‘n’ roll’s original rebels–brilliant, charismatic, reckless, and flawed. We are to help people jump out of there comfort zone to have a Happy, Healthy,Stress- free lifestyle! . “Dead Man’s Curve” . . Released after Jan Berry's auto accident effectively halted the career of the duo, this is a hodgepodge of odds and ends from their back catalog, going all the way back to "Tennessee" and all the way up to their cover of "Norwegian Wood" (which wasn't going to give Lennon and McCartney any sleepless nights). . Both were as much architects of sound as they were musicians, with definite ideas about the shape of the sound they wanted. They began singing together with some other friends, which eventually led to the formation of a performing group, the Barons, who specialized in doo wop music of the period -- among the songs they covered were "Get a Job," "Hushabye," and "Short Shorts." Show in 1964. Members: Dean Torrence, Jan Berry. Even though it wasn't a hit for Liberty, the duo's career at the new label was made -- the company signed them, and over the next two years, Jan & Dean kept releasing singles in a doo wop vein, trying to emulate the success of their three hit singles. Movies & TV Music Vinyl Gifts & Collectibles Books & Magazines. Jan and Dean. Following the end of the war, it was the start of the Baby Boomer years and technology advancements such as the jet engine, nuclear fusion, radar, rocket technology and others later became the starting points for Space Exploration and Improved Air Travel. Books Magazines. The Barons did the show and, as an amateur group without particular plans, went their separate ways. by Jan & Dean | 1991. Jan Berry and Dean Torrence first became friends on the football team at L.A.'s University High, but Dean's first success came with Arnie Ginsburg (not the Boston DJ); the duo scored a big doo-wop hit as Jan and Arnie with 1958's "Jennie Lee." Beginning in the 1970s with the release of the Legendary Masters double LP, their music has been heavily anthologized, and the 1990s saw the reissue of their entire Liberty Records LP catalog on CD, as well as more compilations. 99. “Heart and Soul” . The Beach Boys were currently enjoying their first Top Ten national hit, and the group backed the duo at their shows -- all of them took an immediate liking to each other, especially Brian Wilson and Berry. Second Wave—One Way 34524 (1997) A Memorial edition of this CD was released in April 2004, after Jan's death; Dean Torrence solo projects. While they lacked the Beach Boys' depth and capacity for artistic growth, Jan and Dean's hits from 1963 and 1964 -- which also included "The Little Old Lady (From Pasadena)," "Drag City," "Honolulu Lulu," and the mini-soap opera "Dead Man's Curve" -- are in the same class as the Beach Boys' early work in their infectious, energetic invocation of good times and California sunshine. Pop duo who captured the sound of California surf music during the '60s with commercial and artistic success. (Laughs) We’ve had weird luck! Ginsburg and Berry came up with the song, and Berry and Torrence worked on it, although it fell to Berry and Ginsburg to put the final vocals down, Torrence having been called up for his obligatory six months' service in the army reserve. “The Little Old Lady (from Pasadena)” . The Beach Boys ran the risk of being similarly underrated, except that their singles took on a more lyrical, seriously romantic veneer that allowed them to be taken more seriously, at least by rock music critics and listeners. . They felt that Dore Records was a dead end in terms of getting them wider national exposure, and wanted to sign with a major label. Browse 3,772 jan and dean stock photos and images available, or start a new search to explore more stock photos and images. . . By late 1964, Wilson had given up playing with the group to concentrate on writing and producing the group's recordings, but was stymied by the group's tour commitments, in terms of getting them into the studio. Wilson began using the same session musicians that Jan & Dean did, and the result was the opening of a golden age in the history of the Beach Boys, starting with Today! Cart. The single came out credited to Jan & Arnie, Ginsburg having replaced Torrance in the combo, and rose to number eight nationally that summer. They continued to perform '90s as Berry's health permitted and although there were no new Jan & Dean recordings, Jan released a solo album titled Second Wave in 1997. Fate then played a hand when Jan & Dean played some shows with the Beach Boys, a new band from Hawthorne, CA, whose harmony singing was very similar to theirs. Jan & Arnie appeared on American Bandstand and rubbed shoulders with many of the top singing stars of the period and seemed headed for lasting stardom, while Torrence was stuck in the army. Berry pointed out that there was no reason for the Beach Boys not to use those same musicians and other session men; he also pointed out that no listeners really cared much if Dennis Wilson or Carl Wilson played drums or guitar on the group's records. Listened to even four decades later, "Surf City" is a marvel to behold -- the Berry/Wilson composition was like a miniature teenage movie, setting a scene and depicting action worthy of one of the beach party films of the period, with layer upon layer of activity that moved forward with extraordinary energy. However, on April 12th 1966, Jan Berry was critically injured in a motor vehicle accident in Los Angeles, when he crashed his Corvette into a parked truck. All rights reserved. With 28 charting singles -- seven of them in the Top Ten -- in the space of seven years, they had little left to prove or conquer, except maybe the test of longevity. Sites: jananddean.com, Wikipedia. With over 25 pages of Jan & Dean related photos, consisting of photographs, video stills, posters and much more there is something for everyone on this Jan & Dean site.. and culminating with Pet Sounds and the never-issued SMiLE. Jan & Dean. . However, on April 12th 1966, Jan Berry was critically injured in a motor vehicle accident in Los Angeles, when he crashed his Corvette into a parked truck. "Honolulu Lulu" followed at number 11 late that summer, while "Drag City" rose to number ten early that winter, and "Dead Man's Curve" went to number eight the next spring. . Read Full Biography. Even becoming "Jan & Dean" wasn't easy for this duo. 501 likes. In fact, they'd run into a trough in their success, owing to the weak material that they were receiving from their publisher, Aldon Music (amazingly, home of Carole King and Gerry Goffin, Barry Mann, and Cynthia Weil, et al., but unable to come up with first-rate material for the team). Sales. As a songwriter, music arranger, and record producer for Nevins-Kirshner Associates and Screen Gems-Columbia Music, Berry was one of the pioneering self-produced artists of his era in Hollywood. 1 min read. MP3 Music Listen with Music Unlimited. 7″ x 10″ paperback; 195 photos, illustrations, and maps; 4 Appendices; Bibliography; Index; $49.95 (print).pISBN: 978-1-4766-7210-6eISBN: 978-1-4766-4333-5, “Jennie Lee” . The single also heralded a major change in their sound as they jumped headfirst into surf music. Jan & Dean had a string of hits and 10 gold records in the 1960s with their tales of Southern California. . “Baby Talk” . by Jan & Dean. Dean-Ormsby Torrence was born in 1940s. Then they were known as Jan & Arnie. “The New Girl In School” . Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. They still placed records in the Top 30 and tried jumping on several pop culture bandwagons, including albums devoted to folk-rock and the singles and albums hooked on the craze surrounding the then-new Batman television series. Jan & Dean immediately changed their future musical output solely to "surf music" and their album sales performed very strongly over the next three years. The duo resumed touring in the '80s including a two-week engagement in the People's Republic of China in 1986. I actually got to meet Jonathan Winters maybe five or six years ago. Jan & Dean. When he'd first met Berry, Wilson was trying to shape the group's sound as well as writing or co-writing most of the songs and playing bass on-stage. . 4.5 out of 5 stars 17. . Membres: Dean Torrence, Jan Berry. Suffering from brain damage and partial paralysis, Jan spent the rest of his life trying to come back from Dead Man’s Curve. Surf City - The Best of Jan & Dean. Updated more than any other Jan & Dean site, we offer the ultimate in Jan & Dean resource material. . “Surf City” . His story is told here in-depth for the first time, based on extensive primary source documentation and supplemented by the stories and memories of Jan’s family members, friends, music industry colleagues, and contemporaries. Jan & Dean immediately changed their future musical output solely to "surf music" and their album sales performed very strongly over the next three years. Gifts. The most enticing of these possibilities came in the form of an offer from Liberty Records, a relatively new Los Angeles-based company that seemed to have a better, stronger commitment to rock & roll than most of the large established companies and was flush with cash thanks to hit singles by Ricky Nelson and smash albums by Julie London. Over the next year, they made the rounds of television music showcases, performed at concerts, and cut a series of remakes of R&B harmony vocal classics, including their version of "Gee" by the Crows. "Baby Talk" ended up making number ten nationally during the summer of 1959, and Jan & Dean were on their way. Pop duo who captured the sound of California surf music during the '60s with commercial and artistic success. Jan and Dean were an American rock duo consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). Jan Berry and Dean Torrence began singing together after football practice at University High School in Los Angeles in the late 1950s. The duo's success ended with Berry's near-fatal automobile accident in April of 1966. In 2004 Jan Berry passed away after suffering a seizure; he was 62. Life can have a higher meaning in a Carnival of Sound, Writer, arranger, and producer for the legendary JAN & DEAN. Instead, they began writing their own material and producing themselves. Jan and Dean enjoyed renewed popularity after Dead Man’s Curve, the TV movie chronicling the duo’s story, aired on CBS in 1978. . The whole point in those days of just about any voluntary male teen activity was (what else?) 1, featuring orchestral versions of the group's hits. In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. “Drag City” . Profile: American duo formed in 1959, disbanded in 1966 following Jan Berry’s injury, reunited in early 1970s. DVDs Blu-ray VHS. Or $7.99 to buy MP3. Berry even produced and arranged an instrumental album, Pop Symphony No. “You Really Know How To Hurt A Guy” . Jan & Dean's success as singles artists during this period tends to obscure the virtues of their LPs. Jan and Dean loosen things up with the absolutely hilarious ‘Schlock Rod (Parts 1 and 2),’ that received its sound effects from studio chairs being tossed around while both ‘Popsicle Truck’ and ‘Surf Route 101’ (a personal favourite) boast top notch production. The early 1940s were dominated by World War II. Forthcoming, Summer 2021.Pre-Order from Amazon.comPre-Order from McFarland & Co. Jan Berry, leader of the music duo Jan & Dean from the late 1950s to mid-1960s, was an intense character who experienced more in his first 25 years than many do in a lifetime. Not one of them charted higher than number 69, however, and it seemed as though Jan & Dean had run out their string. . Jan & Dean's music, by contrast, was too much fun to be taken seriously. All. Cut in early 1963 with Wilson also singing on it, "Surf City," released in March of that year, became Jan & Dean's first number one single. Lubin believed that something could be made out of the song, and Berry happily sold him the master. Young people who weren't from California certainly wanted to be there after hearing this song about heading to the beach, and many of them did. In the early to mid ’70s, Jan Berry’s and Dean Torrence’s music was long off rock and even Top 40 radio; it … . “Popsicle.”. Primitive recording sessions followed soon after in a makeshift studio in Jan's garage. Arwin tried two follow-ups that performed far less well, and by the late fall of 1958, with show business looking a lot less promising, Ginsburg left the duo. Jan Berry and Dean Torrence began singing together after football practice at University High School in Los Angeles in the late 1950s. Variantes : … "Jennie Lee" was a promising start, made more so by the brash, defiant sound of the singing, which seemed to embody the essence of teenage attitude. They first performed on stage as The Barons at a high school dance. More Buying Choices $7.99 (4 used & new offers) Vinyl They desperately wanted to be on Liberty, and Adler and Alpert were prepared to go with them as producers, but even this switch wasn't easy to accomplish. September 4, 2020 admin . © 2002-2020 jananddean-janberry.com. Wilson had been experiencing difficulty in finishing a song called "Surf City," and gave it to Berry to finish for Jan & Dean. The ultimate good-time music act of the early '60s -- who only earned one gold record (for "Surf City") -- the duo get credit for inspiring lots of smiles and providing the soundtrack to countless parties, but few listeners, critics, or pop culture historians appreciate just how important they were musically during the first half of the 1960s, or how long it took them to achieve the level of craftsmanship that characterized their music as much as their high harmonies and catchy choruses. Their separate ways to overlook, amid the fun, the craftsmanship of their work to... Did the show and, as an amateur group without particular plans, went their separate ways 1940s! Dean | 2020 TV music Vinyl Gifts & Collectibles Books & Magazines was too fun. After in a makeshift studio in Jan 's garage resource material War II Barons did the show and, an. A movie one time—that ’ s in the '80s including a two-week engagement in the book,.. 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