Here is her story. Dancer, choreographer, and anthropologist Katherine Dunham was born on June 22, 1910, in Glen Ellyn, Illinois, a small suburb of Chicago, to Fanny June (Guillaume) and Albert Millard Dunham. At this time Dunham first became associated with designer John Pratt, whom she later married. After her mother died when she was 4, she and her brother, Albert Jr., moved in with relatives as their father worked as a salesman. Childs’ Family Scrapbook. However, she did not seriously pursue a career in the profession until she was a student at the University of Chicago. She had an older brother, Albert Jr., with whom she had a close relationship. ", Scholar of the arts Harold Cruse wrote in 1964: "Her early and life-long search for meaning and artistic values for black people, as well as for all peoples, has motivated, created opportunities for, and launched careers for generations of young black artists ... Afro-American dance was usually in the avant-garde of modern dance ... Dunham's entire career spans the period of the emergence of Afro-American dance as a serious art. . Select from premium Katherine Dunham of the highest quality. Devoted to dance performance as well as to anthropological research, she realized that she had to choose between them. She also continued refining and teaching the Dunham Technique to transmit that knowledge to succeeding generations of dance students, and lecturing at annual Masters' Seminars in St. Louis that attracted dance students from around the world every summer until her death. After running it as a tourist spot, with Vodun dancing as entertainment, in the early 1960s, she sold it to a French entrepreneur in the early 1970s. In 1978 Dunham was featured in the PBS special, Divine Drumbeats: Katherine Dunham and Her People, narrated by James Earl Jones, as part of the Dance in America series. Dunham herself was quietly involved in both the Voodoo and Orisa communities of the Caribbean and the United States, in particular with the Lucumi tradition. In 1929, she started at the University of Chicago and was one of the first African American women to be awarded a degree from this institution. Katherine Dunham, was published in a limited, numbered edition of 130 copies by the Institute for the Study of Social Change. August 18, 2015 March 9, 2016 - by Lily Campbell. Katherine Dunham: her birthday, what she did before fame, her family life, fun trivia facts, popularity rankings, and more. At an early age,Katherine Dunham was already singing at her church. Boost Birthday June Jun 22, 1909. In 1948, Dunham and her company appeared in the Hollywood movie Casbah, with Tony Martin, Yvonne de Carlo, and Peter Lorre, and in the Italian film Botta e Risposta, produced by Dino de Laurentiis. The show created a minor controversy in the press over whether the torrid dance numbers with bare-midriffed and bare-torsoed performers represented "art" or "sex appeal." She created and performed in works for stage, clubs, and Hollywood films; she started a school and a technique that continue to flourish; she fought unstintingly for racial justice. Her mother, Fanny June Dunham (née Taylor), who was of French-Canadianheritage, died when Dunham was three years old. Glory Van Scott and Jean-Léon Destiné were among other former Dunham dancers who remained her lifelong friends. Based on her research in Martinique, this three-part performance integrated elements of a Martinique fighting dance into American ballet to achieve a remarkable degree of syncretism. Most critics called it a draw. Her mission was to help train the Senegalese National Ballet and to assist President Leopold Senghor with arrangements for the First Pan-African World Festival of Negro Arts in Dakar (1965–66). While trying to help the young people in the community she was even jailed herself, making international headlines which quickly embarrassed local police officials to release her. The troupe performed a suite of West Indian dances in the first half of the program and a ballet entitled Tropic Death, with Talley Beatty, in the second half. She was the first American dancer to present indigenous forms on a concert stage, the first to sustain a black dance company. Somewhat later, she assisted him, at considerable risk to her life, when he was persecuted for his progressive policies and sent in exile to Jamaica after a coup d'état. Called the Negro Dance Group, it was a venue for Dunham to teach young black dancers about their African heritage. During this time, she developed a warm friendship with famous psychologist and humanistic philosopher Erich Fromm, whom she had known in Europe. Pratt, who was white, shared Dunham's interests in African-Caribbean cultures and was happy to put his talents in her service. One of her fellow professors with whom she collaborated was renowned architect Buckminister Fuller, who has been called the "planet's friendly genius.". Most Popular. Named Marie-Christine Dunham Pratt, she was their only child. Join Facebook to connect with Katherine Dunham and others you may know. Ruth Page had written a scenario and choreographed La Guiablesse ("The Devil Woman"), based on a Martinican folk tale in Lafcadio Hearn's Two Years in the French West Indies. Her stay in the Caribbean began in Jamaica, where she went to live several months in the remote Maroon village of Accompong, deep in the mountains of Cockpit Country. Under their tutelage, she showed great promise in her ethnographic studies of dance. About that time Dunham met and began to work with John Thomas Pratt, a Canadian who had become one of America's most renowned costume and theatrical set designers. She has been called the "matriarch and queen mother of black dance.". The Katherine Dunham dance company performed for the Quadras Society in 1939. Although it was well received by the audience, local censors feared that the revealing costumes and provocative dances might compromise public morals. In Hollywood, Dunham refused to sign a lucrative studio contract when the producer said she would have to replace some of her darker-skinned company members. (Dunham’s last appearance on Broadway) 1963. Subsequently, Dunham undertook various choreographic commissions at several venues in the United States and in Europe. The parents of Katherine Dunham are Fanny June Dunham, Albert Millard Dunham. Alvin Ailey later produced a tribute for her in 1987-8 with his American Dance Theater at Carnegie Hall entitled The Magic of Katherine Dunham. Katherine Massey (born Dunham) was born circa 1372, at birth place. . Katherine Dunham was born to a French –Canadian woman and an African American man in the state of Chicago in America. Also that year they appeared in the first ever hour-long American spectacular televised by NBC when television was first beginning to spread across America. The prince was then married to glamorous Hollywood actress Rita Hayworth, and Dunham was, at long last, legally married to John Pratt, having wedded him in a quiet ceremony in Las Vegas earlier in the year. Katherine Dunham, 1956. There she was able to bring anthropologists, sociologists, educational specialists, scientists, writers, musicians, and theater people together to create a liberal arts curriculum that would be a foundation for further college work. In December 1951, a photo of Dunham dancing with Ismaili Muslim leader Prince Ali Khan at a private party he had hosted for her in Paris appeared in a popular magazine and fueled rumors that the two were romantically linked. . He was only one of a number of international celebrities who were Dunham's friends. View the profiles of people named Katherine Dunham. This concert, billed as Tropics and Le Hot Jazz, included not only her favorite partners Archie Savage and Talley Beatty but her principal Haitian drummer, Papa Augustin. . Katherine Dunham," was mounted a the Women's Center on the campus. Not only did Dunham shed light on the cultural value of black dance, but she clearly contributed to changing perceptions of blacks in America by showing society that as a black woman, she could be an intelligent scholar, a beautiful dancer, and a skilled choreographer. Schools inspired by it later opened in Stockholm, Paris, and Rome by dancers trained by Dunham. ", "Dunham's European success led to considerable imitation of her work in European revues . Katherine Dunham, pseudonym Kaye Dunn, (born June 22, 1909, Glen Ellyn, Ill., U.S.—died May 21, 2006, New York, N.Y.), American dancer, choreographer, and anthropologist noted for her innovative interpretations of ritualistic and ethnic dances. From being a young child performing in church, Dunham had wanted to follow a career as a singer, but she was academically talented and so encouraged to study to become a teacher like her older brother. . He continued as her artistic collaborator and manager of her career until his death in 1986. Later that year she went with her troupe to Mexico, where their performances were so popular that they remained for more than two months. ", Richard Buckle, ballet historian and critic, wrote: "Her company of magnificent dancers and musicians . In 1934–36 Dunham performed as a guest artist with the ballet company of the Chicago Opera. On another occasion, in October 1944, after getting a rousing standing ovation in Louisville, Kentucky, she told the all-white audience that she and her company would not return because "your management will not allow people like you to sit next to people like us," and she expressed a hope that time and the "war for tolerance and democracy" would bring a change. After it ended, ABC News nominated her as Person of the Week. Early in 1947 Dunham choreographed the musical play Windy City, which premiered at the Great Northern Theater in Chicago, and later in the year she opened a cabaret show in Las Vegas, marking the first year that the city became a popular entertainment destination. Upon completing her studies at Joliet Junior College, Katharine Dunham moved to Chicago to join her brother Albert, who was attending the University of Chicago as a student of philosophy. (She later wrote a book, Journey to Accompong, describing her experiences there.) This was followed by television spectaculars filmed in London, Buenos Aires, Toronto, Sydney, and Mexico City. At 12, Dunham published a poem in a magazine edited by … Dunham had one of the most successful dance careers in American and European theater of the 20th century, and directed her own dance company for many years. In 1967, Dunham opened the Performing Arts Training Center (PATC) in East St. Louis as an attempt to use the arts to combat poverty and urban unrest. Wife of John Thomas Pratt For several years Dunham's personal assistant and press promoter was Maya Deren, who later also became interested in Vodun and wrote The Divine Horseman: The Voodoo Gods of Haiti (1953). Thus, in 1963, she became the first African-American to choreograph for the Met since Hemsley Winfield set the dances for The Emperor Jones in 1933. As a result, Dunham would later experience some diplomatic "difficulties" on her tours. In 1946 Dunham returned to Broadway for a revue entitled Bal Nègre, which received glowing notices from theater and dance critics. Oder starten Sie eine neue Suche, um noch mehr Stock-Fotografie und Bilder zu entdecken. She consequently decided to major in anthropology and to focus on dances of the African diaspora. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. In any case, from the beginning of their association, around 1938, Pratt designed every costume Dunham ever wore. The Dunham company's international tours ended in Vienna in 1960, when it was stranded without money because of bad management by their impresario. A continuation based on her experiences in Haiti, Island Possessed, was published in 1969, and a fictional work based on her African experiences, Kasamance: A Fantasy, was published in 1974. She has been called the "matriarch and queen mother of black dance." With choreography characterized by exotic sexuality, both became signature works in the Dunham repertory. Despite these successes, the company frequently ran into periods of financial difficulties, as Dunham was required to support all of the thirty to forty dancers and musicians. They had one son: Piers Massey. In 1948 she opened A Caribbean Rhapsody first at the Prince of Wales Theatre in London, then swept on to the Théâtre des Champs-Élysées in Paris, where the company took the city by storm. In 1978, an anthology of writings by and about her, also entitled Kaiso! father: Albert Millard Dunham. During her heyday in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States, where the Washington Post called her "dancer Katherine the Great." Katherine Dunham, a few former Dunham dancers, and the Royal Troupe of Morocco appeared in a new revue, Bamboche!, at New York's 54th Street Theater. He had been a promising philosophy professor at Howard University and a protégé of Alfred North Whitehead. Daughter of Albert Millard Dunham and Fanny June Dunham Marlon Brando frequently dropped in to play the bongo drums, and jazz musician Charles Mingus held regular jam sessions with the drummers. . Katherine Dunham is known as of the most influential African American individuals, when it come down to the art of African Dance. children: Marie-Christine Pratt Born in 1909 in Chicago, Katherine Dunham is an American dancer-choreographer who is best known for incorporating African American, Caribbean, African, and South American movement styles and themes into her ballets. Her brother, Albert Dunham Jr., … The couple had then officially adopted their foster daughter, a four-year-old girl they had found as an infant in a Roman Catholic convent nursery in Fresnes, France. . On one of these visits during the late 1940s she purchased a large property of more than seven hectares in the Carrefours suburban area of Port-au-Prince. Dancer, choreographer, and anthropologist Katherine Dunham was born on June 22, 1910, in Glen Ellyn, Illinois, a small suburb of Chicago, to Fanny June (Guillaume) and Albert Millard Dunham. In 1967 she officially retired after presenting a final show at the famous Apollo Theater in Harlem, New York. Katherine Dunham, the dancer, choreographer, teacher and anthropologist whose pioneering work introduced much of the black heritage in dance to the stage, died Sunday at her home in Manhattan. In 1976 Dunham was guest artist-in-residence and lecturer for Afro-American studies at the University of California, Berkeley. Her father, a tailor and dry cleaner, was black, while her mother was French Canadian. During her protest, Dick Gregory led a non-stop vigil at her home, where many disparate personalities came to show their respect, such Debbie Allen, Jonathan Demme, and Louis Farrakhan, leader of the Nation of Islam. As a young dancer and student at the University of Chicago, she chose anthropology as her course of study. Known for her many innovations, Dunham developed a dance pedagogy, later named the Dunham Technique, that won international acclaim and that is now taught as a modern dance style in many dance schools. Katherine Dunham was born on June 22nd 1909 in Chicago. The State Department was dismayed by the negative view of American society that the ballet presented to foreign audiences. With Dunham in the sultry role of temptress Georgia Brown, the show ran for twenty weeks in New York before moving to the West Coast for an extended run of performances there. She and her dancers were treated as members of the jet set, mixing with nobility and celebrities such as famous French actor Maurice Chevalier. To my Dunham family, fellow committee members and board members, and certified and master teachers: the bodily wisdom and life experience that you possess and have shared with so many including myself, is invaluable. Legendary dancer, choreographer and anthropologist Katherine Dunham was born June 22, 1909, to an African American father and French-Canadian mother who died when she was young. [citation needed]. Herskovits provided her with invaluable information in preparation for her voyage. The State Department regularly subsidized other less well-known groups, but it consistently refused to support her company (even when it was entertaining U.S. Army troops), although at the same time it did not hesitate to take credit for them as "unofficial artistic and cultural representatives.". Born in New York City into a well-connected family of theater professionals. . Dunham saved the day by arranging for the company to appear in a German television special, Karaibishe Rhythmen, after which they returned to America. Fun facts: before fame, family life, popularity rankings, and more. Ex-wife of Jordis McCoo mother: Fanny June Dunham. In Boston, the bastion of conservatism, the show was banned in 1944 after only one performance. it is safe to say that the perspectives of concert-theatrical dance in Europe were profoundly affected by the performances of the Dunham troupe. After Mexico, Dunham began touring in Europe, where she was an immediate sensation. As Julia Foulkes pointed out, "Dunham's path to success lay in making high art in the United States from African and Caribbean sources, capitalizing on a heritage of dance within the African Diaspora, and raising perceptions of African American capabilities. The school was managed in Dunham's absence by one of her dancers, Syvilla Fort, thrived for about ten years, and was considered one of the best learning centers of its type at the time. The original two-week engagement was extended by popular demand into a three-month run, after which the company embarked on an extensive tour of the United States and Canada. She also became friends with, among others, Dumarsais Estimé, then a high-level politician, who became president of Haiti in 1949. The following year, 1965, President Lyndon Johnson nominated Dunham to be technical cultural adviser—that is, a sort of cultural ambassador—to the government of Senegal in West Africa. Her mother, Fanny June Dunham (née Taylor), who was of mixed French-Canadian and Native American heritage, died when Katherine was four years old. In 1950, while visiting Brazil, Dunham and her group were refused rooms at a first-class hotel in São Paulo, the Hotel Esplanada, frequented by many American businessmen. Time reported that, "she went on a 47-day hunger strike to protest the U.S.'s forced repatriation of Haitian refugees. Cause of death: Natural causes - May 21 2006 - New York City, June 22 1909 - Glen Ellyn, DuPage, Illinois, United States, Albert Millard Dunham, Fanny June Williams Dunham (born Taylor), American Dancer, Choreographer, Songwriter, Actress And Activist, June 22 1909 - Joliet, United States, Glen Ellyn, United States, May 21 2006 - New York City, United States, June 22 1909 - Chicago, Cook County, Illinois, United States, May 21 2006 - New York, New York, United States, June 22 1909 - Chicago, Cook, Illinois, USA, Five Moons: world of the ballerinas from Oklahoma. Anthropologist, Ethnologue, Choreographer, Dancer, creator of the Dunham Technique, author, Scholar, activist and humanist Katherine DunhamLegendary dancer, choreographer and anthropologist, Katherine Dunham was born on June 22,1909 in Chicago, to an African American father and … . 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