www.weshallrun.com Please. In 1965, when Yvonne Rainer and Robert Morris performed nude in “Waterman Switch,” the performance prompted criticism and denunciation from conservative ecclesiastical groups who threatened to cut off support for the church. by Jack Crawford. 2. While creating At My Body’s House (1963), she asked engineers Billy Klüver and Harold Hodges to modify miniature radio transmitters to amplify the sounds of … Rainer also experimented with athletic and everyday movements in We Shall Run (1963), set to the Tuba mirum from Hector Berlioz’s 1837 Requiem, and Chair-Pillow (1969), which was first performed in her Continuous Project—Altered Daily (1969). 1963. Saved by M JF. The work was performed by a group of 12 men and women, both dancers and non-dancers, dressed in street clothes. Performed in Judson Dance Theater: The Work Is Never Done, The Museum of Modern Art, New York, September 16, 2018–February 3, 2019. To order a copy go to guardianbookshop.com or call 0330 333 6846. He is currently undertaking a three-month associate artist residency with Asia Arts Activism and Raven Row. We Shall Run. Yvonne Rainer, We Shall Run, 1963. Yvonne Rainer, We Shall Run, 1963. When Gross was performing at Judson Church in Yvonne Rainer’s We Shall Run in 1963 (the title and the content were pretty much identical), I was performing in Pauline Koner’s trio The Shining Dark (Koner was channeling Helen Keller). Please wait a few moments while we process your request, After spending her childhood and adolescence in San Francisco, Yvonne Rainer moved to New York in 1956. Richard Serra work. In the iconoclastic Judson Dance Theater of the 1960s, visual artists Robert Rauschenberg, Alex Hay, and Robert Morris were among the choreographers and performers. Revision: A Truncated History of the Universe for Dummies. In 1965, he participated in Rainer’s We Shall Run (¾) and Parts of Some Sextets (fig. By visiting our website or transacting with us, you agree to this. RoseLee Goldberg—Indeed, we declared you a national treasure some time ago! The artist gratefully acknowledges Roselee Goldberg and Esa Nickle of Performa. In 1968, Yvonne Rainer wrote an … This latter project included many Judson dancers and explored different aspects of the working process of dance making, learning, and … While observing social distancing protocols, students enrolled in “Art and Design since 1945" re-enact Yvonne Rainer’s 1963 dance, “We Shall Run” in the green space between Richards Hall and Woods Art Building. Black Stoneware. Caitrín Barrett-Donlon. He designed the lighting for the premiere of her Terrain (1963) and later performed in several of her compositions, including We Shall Run (¾) (1963) and Parts of Some Sextets (1964–65). The negotiations among them and their dance-world colleagues were boundlessly fruitful to both. Yvonne Rainer, We Shall Run, 1963 performed March 7, 1965 at the Wadsworth Atheneum (photo: Peter Moore, © Barbara Moore); left to right: Robert Rauschenberg (obscured), Sally Gross, Joseph Schlichter (obscured), Tony Holder, Deborah Hay, Yvonne Rainer, Alex Hay, Robert Morris (obscured), and Lucinda Childs. The runners followed floor patterns, breaking up into smaller groups and joining together again. RAINER: It’s true that I explored so-called “pedestrian movement,” but it’s always been in relation to other kinds of movement. Hurray for people. 1. New York University. Robert Morris, Untitled #1, 1970 4) and designed the lighting for the three-evening performance Yvonne Rainer and Robert Morris with Judson Dance Theater. In 1965, Billy Klüver sought the expertise of some 30 engineers at Bell Labs, requesting that they participate in an project blending avant-garde theatre, dance and new technologies. Theme. A Rant Dance by Yvonne Rainer "Apollo, the God of the Sun, comes down to earth to try to improve things here, only to get into trouble.” Yvonne Rainer, We Shall Run, 1965-minimalist performance-beginning of the body art-simplistic approach -action spelled out in the name. Trio A (1966), Three Satie Spoons (1961), Three Seascapes (1962), Diagonal (1963), Talking Solos (1963), We Shall Run (1963), Chair-Pillow (1969). We Shall Run : Groups of bulls, dinosaurs, something in-between, and figures. This latter project included many Judson dancers and explored different aspects of the working process of dance making, learning, and … Judson Dance Theater: The Work Is Never Done Museum of Modern Art, New York September 16, 2018–February 3, 2019. Previous. Performance as part of A Concert of Dance #3 at Judson Memorial Church, and featuring Trisha Brown, Lucinda Childs, Philip Corner, June Ekmna, Malcolm Goldstein, Sally Gross, Alex Hay, Deborah Hay, Tony Holder, John Mordan, Yvonne Rainer and Carol Scothorn. Robles and Ponomarenko perform in We Shall Run and Chair-Pillow, two works that speak to such broadening of dance and performance. People running. Peter Moore’s photograph of Robert Rauschenberg, Joseph Schlichter (back), Sally Gross, Tony Holder, Deborah Hay, and Robert Morris (middle), Yvonne Rainer, Alex Hay, and Lucinda Childs (front) in We Shall Run, 1963. Yvonne Rainer. decentering idea of body, The mind is a muscle:substitutes for list of things to eliminate/minimize for objects and dances Yvonne Rainer (born November 24, 1934) is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental. Yvonne Rainer, We Shall Run, 1963. She had a fascination and with mixing dancers with non-dancers thus creating her 1963 performance, We shall run, with non dancers dressed in street clothes running around the stage creating floor patterns. Performers: Brittany Bailey, Patrick Gallagher, Iréne Hultman, Abigail Levine, Omagbitse Omagbemi, Louisa Pancoast, Emmanuèle Phuon, Damani Pompey, Suzzanne Ponomarenko, Heather Robles, Mary Kate Sheehan, … To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Yvonne Rainer works We shall run, Trio A: which avoids eye-contact; "Hand Movie," which relocates choreography to hand.) Rainer’s focus on untrained dancers and mundane motions such as walking, crawling, and the ritualistic handling of everyday objects clearly resonates with Rauschenberg’s embrace of everyday materials and images in … There was something spectacular and deeply moving in watching Yvonne Rainer and Simone Forti perform iconic choreographies of their own repertoire during the opening of Judson Dance Theater: The Work Is Never Done at the Museum of Modern Art. And she danced in many other pieces, including Steve Paxton's Words Words. Rainer created many of the best-known works produced by the Judson, including, The Daniel Langlois Foundation Collection, [Documents available in the collection about Yvonne Rainer...], [Documents available in the collection by Yvonne Rainer...]. Courtesy of Fales Library. This latter project included many Judson dancers and explored different aspects of the working process of dance making, learning, and … In 1965, he participated in Rainer’s We Shall Run (¾) and Parts of Some Sextets (fig. A Rant Dance by Yvonne Rainer "Apollo, the God of the Sun, comes down to earth to try to improve things here, only to get into trouble.” This latter project included many Judson dancers and explored different aspects of the working process of dance making, learning, and rehearsing. Archive Message. Trio A (1966), which has undergone many incarnations, is a series of precisely constructed sequences of seemingly disconnected motions, both virtuosic and mundane, in which the performer never makes eye contact with the audience. Yvonne Rainer (1934-) ... We Shall Run (1963) Trio A/The Mind is a Muscle (Part 1) (1966) Continuous Project-Altered Daily (1970) ... Journeys from Berlin/1971: I feel like every time I see a new Rainer film, I declare it her densest work, and so here we go again. In one of the cavernous Riggio Galleries, Rainer’s works looked especially pristine, the bright colors of the performers’ costumes like brushstrokes of color on the all-white surfaces. In 1962, she became a founding member of the Judson Dance Theatre. bailasimientes reblogged this from onlycolorandlight. Robert Morris, Untitled (Mirror Cubes), 1965-post-minimalism-interaction with a viewer -emphasis on space and repetition. We are delighted to present A Study of Suspension, ... Yvonne Rainer’s We Shall Run for London Contemporary Music Festival, Ambika P3, London (2018). On the program: We Shall Run (1963), Trio A (1966), Assisted Living: Good Sports 2 (2011), and Chair/Pillow (1969). "Embodiment Abstracted: The Influence of Yvonne Rainer" runs through March 4 at Gallery 400, 400 S. Peoria St., 312-996-6114, gallery400.uic.edu. 9 Evenings: Theatre and Engineering fonds, Finding Aids. It was also an important source for The Grand Union, an improvisational group Rainer was key to forming in the 1970s, which gathered some of the same Judson participants together again. Yvonne Rainer—Performa is my angel. 1963. Our friends at Slay Models & We Shall Run team up to shine a spotlight on Trans talent within the fashion industry in this new editorial that shows off two of the top faces at Slay Models, Zo Shay & Ren Spriggs, and the inclusionary brands repped by We Shall Run. RAINER: Well, that is an example of a more minimal piece. My work requires trained dancers. Running in sneakers, the Judson Dance Theater. Trio A (1966), Three Satie Spoons (1961), Three Seascapes (1962), Diagonal (1963), Talking Solos (1963), We Shall Run (1963), Chair-Pillow (1969). Performers: Brittany Bailey, Ty Boomershine, Patricia Catterson, Emily Coates, Patrick Gallagher, Patricia Hoffbauer, Iréne Hultman, Abigail Levine, Louisa Pancoast, Omagbitse Omagbemi, Emmanuèle Phuon, Damani Pompey, Suzzanne Ponomarenko, Yvonne Rainer, Heather Robles, Keith Sabado, Mary Kate Sheehan, David Thomson, Timothy Ward. Yvonne Rainer’s We Shall Run (1963) (google images) Theater. RAINER: Well, that is an example of a more minimal piece. See also Banes, 2003 8-9 & Lambert-Beatty 2008 p.5. Tuesday July 3rd. littleloon liked this . 25. Yvonne Rainer works. Yvonne Rainer, “We shall Run”, 1963 La Chorégraphie du travail #3 (with Marina Vishmidt) Collège des Bernardins, 24 November 2013. Current Bloc Projects March 22, 2021 Billboard, 2021. My work requires trained dancers. 1934) has challenged many of the movement conventions and narrative structures of modern dance. Performance view of Yvonne Rainer's "We Shall Run," Wadsworth Atheneum, Hartford, CT, March 7, 1965; Terrain ("Love" in the section called "Play") Untitled (Table) Performance view of Yvonne Rainer’s “Lecture,” from the first version of "The Mind is a Muscle; Robert Morris, installation view, Green Gallery, New York; Two Columns We Belong Together. Yvonne Rainer guided both dancers and non-dancers through a series of generic tasks, such as walking and carrying stage props from one point to another. Yvonne Rainer, We Shall Run, 1963. Robert Morris, Untitled (Mirror Cubes), 1965-post-minimalism-interaction with a viewer -emphasis on space and repetition. decentering idea of body, The mind is a muscle:substitutes for list of things to eliminate/minimize for objects and dances. Yvonne Rainer—Performa is my angel. Yvonne Rainer, We Shall Run, 1963. Rainer created many of the best-known works produced by the Judson, including We Shall Run (1963), Terrain (1963) and Part of a Sextet (1964). 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